FUN, travel

BOOB TAPE AND IDENTITY

There are so many odds and ends when you are getting ready to travel out of the country. Besides the packing and the postponing of newspapers and mail, there are the phone calls to the various banks and credit card companies letting them know when a charge comes through that is not your norm, it is ok.

We were headed to Quebec and Canada is such a close neighbor that it is easy to forget it really is not part of the our borders. I forgot to let the banks know I was traveling outside of the US. As soon as I crossed the border and heard lovely French, I remembered instantly, though. Canada is a very different place from USA and a beautiful and easy place to get to when you want to get away and feel like you are traveling someplace with a more European vibe.

My partner and I roamed the cobblestones streets, learning how to navigate a new city. We ate poutine which should be illegal and I am grateful it has not found its way down to Rhode Island or it could very well be my caloric demise. 

We went to the Musee national des beaux-arts du Quebec and came upon an exhibit by contemporary artists, Cozic whose description read, COZIC is a two-headed visual artist with four hands made up of Yvon Cozic and Monic Brassard. And it was there I was struck by the question of what is art anyway, and who gets to claim and define that question? 

I appreciate when art does this. When it makes you read every single description card next to it its piece on the wall. We spent three hours looking at this exhibit. Odd, unusual and at the same time, captivating. The art was, at some points, interactive clearly inviting the visitors to be more than voyeurs. Touching, smelling even, being part of their work making me consider that art is more than just staring and feeling. I hadn’t really thought about this before.

What also struck my feminist radar was the description of who they are in their work. This wife and husband team prefer to be described as one artist. It is certainly a brilliant marketing element to their work, but what I noticed is that it is the Cozic name used as the signature of the show and I kept feeling, Where is Monic? 

She gets her due because when they are both written about, she is part of the story in all of the pieces, but where is her name on the art? They have been together since the sixties and I just wanted one piece that said, Monic Brassard. This all could have been her choice from the beginning and I don’t know anything more than my first impression of an exhibit that got me to really think during and afterwards. Art is like this; it gets me thinking about life- feminism, culture, marketing, politics and identity. 

Identity. Who owns it? Who gets to claim it? How is it remembered after the artist passes- in this case after Monic passes? I began wondering who decided to use his name, Cozic, instead of her name, Brassard? In the sixties, would her name have had the success if it he had been attached to her name instead of the other? Doubtful. 

As I made my way through the museum I began counting the number of female artists represented versus the male artists. Before long, I became too distracted by this and stopped as it was deterring me from appreciating the art. If this latest wave of feminism of #Metoo did something beyond its intention, it made me hyper aware of the lack of female representation in mostly everything. It has a long way to go before I walk into a museum and start thinking about counting the number of male artists as a minority compared to female artists as a majority. 

This all means that Cozic accomplished something. Cozic made me think. Two-headed visual artist with four hands made me feel. It made me frustrated and pissed off and smile all at the same time. Mission accomplished.

We made our way out of the museum and to the market, then headed to The Old City where we went on a walking tour. As I made my way into the tourist center to pay for the tour, my debit card was declined and it was there I remembered I forgot to call the bank. Thankfully, I had my partner along to pay while I called my bank to rectify the situation when I learned that the card was on a fraud alert and I would have to call the fraud department. Highly inconvenient. The tour was about to begin and I would have to address this problem later. This is another benefit about vacation, super chilled out. I did not get all wound up, just turned my phone off and said, I will deal with this later. 

After the tour, we walked back to our temporary air b+b home. I called the fraud department where I learned that my card was not declined because I was trying to use it in Quebec, but because someone else had been using it online and the charges seemed suspect. I’d say. Capricurves, Fashionnova, Boobtape and Petco. Four mysterious charges online and in Great Britain. 

When the kind woman at fraud alert asked me if I had charged anything on the website, Boobtape, I laughed. Boobtape is one thing I, for sure, don’t need. I have boobs that are straight out wonder woman- no bra needed- these days thanks to the good old reconstruction. Whoever had decided that they needed Capricurves and boobtape on my credit card at least was considerate enough to buy some pet food for their dog at Petco too. 

I began thinking about identity and how these fraudulent charges caused me to piece together my version of the person who tried to use mine. Maybe the person was struggling with their own identity, trying to add curves and lift their boobs. Perhaps they were down and out and just needed some new clothes to feel better or to go on an interview. I don’t know. But identity and culture are part of this story for sure. 


These days it is not that hard to get misuse taken care of promptly. My card was closed immediately and even though this was highly inconvenient while I was traveling, it wasn’t the worst thing that could have happened. I had planned on changing my debit card to get a more accurate handle on how many automatic charges come out of my account on a monthly basis and to get a new card to start fresh when I got home, anyway. In some ways starting a new identity. 

Art got me thinking about identity and this got me thinking about how important art is for thinking. Traveling also gets me thinking about identity. How people live, where people live, how people interact with each other and with strangers and tourists like we have been this week. 

Language, pride, patriotism are all a part of who we identify with and more importantly how we identify with each other. The Cozic exhibit was like looking into a keyhole to see what was on the other side of the door. This past week in Quebec got me to see that there is so much more on the other side of our border and I can’t wait to come back.

interacting with the Cozic exhibit.
Identity in trying to read this delicious menu at L’affoire est Ketchup, one of the best meals I have ever had in my life, no exaggeration.
FUN, WRITING

WHY I TYPE

There she was, that beauty of a black Royal, sitting there, dusty, keys barely visible.

Forty Dollars, the price tag said as it was marked down to it’s final lowest price at the consignment store I visit with my aunt when she treks down from Boston.

I quietly walked up to the black metal machine weighing in at what seemed like twenty pounds and placed my finger on a random key, maybe it was the H or the G or the A, irrelevant now. Click, like the sound of the hard snap of the tip of my tongue up against the roof of my mouth, I was brought back to a familiar time, but one I couldn’t quite recall just yet.

I firmly pressed my fingers on the keys with a much stronger touch than the laptop keyboard my fingers have grown accustomed to. I waited to hear the “ding,” hoping the warning bell to pay attention to my word choice of how many letters I have left still worked on this old beauty of a machine.

I was not disappointed.

Ding! And just like that I was brought back to my grandmother’s bedroom where she had always kept her typewriter for correspondence, recipes and anything else she needed to legibly communicate what her messy handwriting could not.

My aunt, who was shopping with me that day, confirmed what I couldn’t place at first sight.

Yes Alayne, dear, this was indeed the same type of typewriter Grandma had.

For some reason, at that exact moment, I felt a strange calling to rescue what I now fondly call, Dear Old Gal. And just like that, I became a collector of typewriters.

It is hard to believe that was a little over a year ago, but in one year’s time I have amassed thirty typewriters. YES- 30. I realize to the average person, this may seem excessive, but it occurred to me shortly after that first purchase of this 1940’s Royal, these gems are not being made anymore. Typewriters from the twentieth century, pre-electric, are the end of an era. They are glorious pieces of machinery all needing each part to make them their beautiful whole. The mechanisms are visible to the eye for the most part and their simplicity is a thing of the past. Our children and their children will only get to see them at museums and antique stores.

I am in love with the notion of using a typewriter. My heart is full when I open one from their portable case and set it up on my front porch to make my thoughts appear, mistakes and all, on the white paper I have rolled in. I am elated when I watch a child instinctively drawn to the keys and smile ear to ear realizing that they can create words that will not allow deletion. I am in my happy place when they ask, “Where is the exclamation point? (you have to make it with a period, backspace, apostrophe) Or the number 1?(it is the capital L) How do I erase a mistake? (you don’t) What is the ding for?”

My heart is in pure heaven when I can send a typed note on specialty 100% cotton paper I found from Germany to say thank you to someone who least expects to receive a typewritten note. Or to send my condolences to someone who has lost a loved one. Or just because.

There is something about typing. I can’t explain the feeling so instead of doing so, I do events and open my doors to let people in to feel what I mean. More than even the actual action of typing, typewriters invoke story after story from people every time they see one and even more when they hear one.

Beauty comes in all shapes and sizes, all flavors. This is beauty to me. Sharing something from the past with people to engage and connect. In our new face down in the phone paradigms we seem to find ourselves in and our children in, I am finding it harder and harder to escape from this technology that has made us all think of as connection. What I have learned is that it is the exact opposite.

So I offer a new way to disconnect. This is why I type. Typewritingisbeauty. Enjoy them; they love their salvation.

Please join me on Saturday September 14th for The State Street Fair in Bristol, RI. I will be there with the typewriters. Stop by and type something, bring the kids, bring your smiles.

Words Matter.

FRIENDSHIP, FUN

GETTING THE LED OUT

Though the singer looks like Howard Stern, don’t let that fool you. His voice is Robert Plant.

the outfits were just as fun to watch